跟著祖母長大的 Felix 是個喜歡騎摩托越野的青年，他計畫騎摩托到蒙古旅行。但在旅行前，他想要先解決一個問題：他從未見過他的父親 Johan，而 Johan 也不知道他的存在。
Johan 在阿姆斯特丹擁有一家爵士酒吧，他經常與一些男妓發生性關係。Felix 多次去酒吧了解他的父親，卻一直沒有說出自己的身份。由於 Felix 對 Johan 的過度關注，使不明真相的 Johan 產生了誤解，想要與之發生關係。Felix 經歷內心痛苦的掙扎，最終還是就範了。直到影片結尾，他也還是沒有說出真實身份。對於 Johan 來說，Felix 不是他喜歡的類型，只是一個性慾的對象。兩人都經歷著愛欲的痛苦糾纏。最終 Felix 離開了，離開之前他決定最終看一眼 Johan，看著 Johan 和小女孩玩鬧的溫馨畫面，他釋然了……
導演藉助觀察，以較少的對話和人物肢體和表情來闡釋這段複雜的情慾糾纏，耐人尋味和深思。
印象很深的是 Felix 和 Johan 在旅館裡的場景，Felix 想要的只是感受父親的溫暖，他緊緊的抱著他的父親，而不明真相的 Johan 卻一直想要吻他，被 Felix 一再推開了。Felix 臉上痛苦的表情令人心疼……
Felix (Emiel Sandtke) has been raised by his grandmother and is planning to travel to Mongolia with his motorcycle. But before he embarks on his journey, he has to deal with an unsolved problem from his past: His father, Johan (Victor Löw), whom he has never met because he was only briefly with his mother and she never told him about the birth of Felix.
Johan owns a jazz bar in Amsterdam and he meets regularly with a hustler (Juan Wells) for some quick sex. Felix goes to the pub to learn more about his father but he conceals his true identity. Boudewijn Koole has captured moments from the daily lives of two men who may appear trivial at first glance but who give the characters depth and substance.
So we see Johan playing with a neighbor girl and Felix riding on a motorcycle or meeting with co-worker. The director finds the right images and creates an engaging family drama that depends on observation, not on dialogue.
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劇照
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