本書為高等院校音樂專業教材，內容包括了相應級別的練習曲、復調曲、樂曲、雙鋼琴等內容。每首樂曲還有針對性極強的教學指導，包括作者簡介、音樂性質、曲式結構與調性、演奏提示等。教程的選編注重科學性與實用性相結合，並以世界著名的中外音樂家、鋼琴教育家的經典教學曲目為主，筆者希望從大學鋼琴教學的初級階級開始，就針對音樂理論的基本知識和對音樂形象的理解能力，表現力及鋼琴彈奏技巧這三方面的教學緊密地結合起來，使學生的音樂素質和專業水平得到全面的提高與發展。本書主要面向高等院校音樂專業本科及碩士生教學，同時可作為音樂工作者的學習參考書，並可供廣大音樂愛好者使用。
基本介紹
- 書名：鋼琴教程:經典曲目與指導
- 出版社：北京理工大學出版社
- 頁數：348頁
- 開本：16
- 品牌：北京理工大學出版社
- 作者：楊華 向琛子
- 出版日期：2014年8月4日
- 語種：簡體中文
- ISBN：9787564090739
作者簡介,圖書目錄,序言,
作者簡介
楊華（1981~）女，重慶人。碩士，畢業於西南大學音樂學院，主要從事鋼琴表演、教學與音樂理論研究。現任教於重慶大學藝術學院，主要擔任鋼琴、音樂理論基礎、音樂欣賞等課程的教學工作。現為中國音樂心理學學會委員，重慶鋼琴委員會委員，重慶音樂家協會委員。 在cssci等國家級藝術類核心期刊上發表論文數篇。另著有鋼琴教程《孩子們喜愛的拜厄》面向全國公開發行。負責過中央高校基礎科研課題建設項目。向琛子，男，出生於1975年，重慶萬州人，1996年9月考入四川音樂學院音教系作曲理論方向。2009年9月考入中央音樂學院作曲系配器專業，師從郝維亞教授。創作有器樂聲樂作品100餘首，主要作品：大型網路遊戲《魔域》配樂；電視劇《汶川兒女》配樂；歌劇《羊角花開》（與孫洪斌、陳萬合作）；《羊角花開》（大合唱）（與柴永柏、易柯、孫洪斌、陳萬、艾明等合作）等。配器作品600餘首。
圖書目錄
基礎篇
練習曲
1.練習曲 （拜厄 No.88）·············································1
2.練習曲 （萊姆安 Op.37 No.5）·······································3
3.練習曲 （車爾尼 Op.599 No.73）·····································5
4.練習曲 （車爾尼 Op.599 No.98）·····································8
5.練習曲 （車爾尼 Op.849 No.12）····································10
6.練習曲 （車爾尼 Op.849 No.16）····································14
7.練習曲 （海勒 Op.47 No.6）········································17
8.練習曲-義大利舞曲 （孔空奈）·······································20
復調
1.進行曲 （No.16 巴林）·············································25
2.小廣板 （斯卡拉蒂）················································28
3.小前奏曲 （No.8 巴赫）············································30
4.視唱曲 （卡爾·菲·艾·巴赫）······································33
5.迴旋曲 （巴赫）····················································37
6.二部創意曲 （No.1 巴赫）···········································41
7.二部創意曲 （No.8 巴赫）···········································44
8.二部創意曲 （No.14 巴赫）··········································47
樂曲
1.旋律 （安東·魯賓斯坦）············································50
2.G大調小步舞曲 （貝多芬）··········································53
3.音樂瞬間 （Op.94 No.8 舒伯特）·····································57
4.圓舞曲 （柴可夫斯基）··············································62
5.間奏曲 （《鄉村騎士》馬斯卡尼）·····································67
6.多瑙河之波 （伊凡諾維奇）··········································71
7.碎步舞曲 （巴托克）················································81
8.匈牙利舞曲 （勃拉姆斯）············································85
9.噴泉 （鮑姆）·····················································90
10.小奏鳴曲 （Op.55 No.1 庫勞）····································98
11.小奏鳴曲 （Op.36 No.3 克列門蒂）································106
12.看戲 （譚盾）···················································116
13.火車向著韶山跑 （李淇 改編）·····································122
四手聯彈
閒聊波爾卡 （施特勞斯）············································127
提高篇
練習曲
1.練習曲 （Op.553 No.3 車爾尼）····································136
2.練習曲 （Op.636 No.15 車爾尼）···································140
3.左手練習曲 （Op.46 No.21 海勒）··································143
4.練習曲 （Op.299 No.14 車爾尼）···································146
5.練習曲 （No.35 克拉莫）··········································149
6.練習曲 （Op.299 No.39 車爾尼）···································153
7.三度雙音練習曲 （Op.740 No.10 車爾尼）···························159
8.練習曲 （Op.740 No.12 車爾尼）···································162
復調
1.復調性樂曲 （於蘇賢）············································167
2.阿勒曼德舞曲 (亨德爾) ··········································171
3.庫朗特舞曲 （巴赫）··············································175
4.賦格《喜悅》 （丁善德）··········································178
5.三部創意曲 （No.7 巴赫）·········································181
6.薩拉班德舞曲 （巴赫）············································185
7.阿勒曼德舞曲 （巴赫）···········································188
8.組曲 （亨德爾）·················································191
樂曲
1.月光 （福列）···················································195
2.亞麻色頭髮的少女 （德彪西）·····································200
3.邀舞 （韋伯）···················································205
4.土耳其進行曲 （A大調奏鳴曲第三樂章 KV 331 莫扎特）··············221
5.降B大調即興曲 （舒伯特）·······································228
6.C小調無詞歌 （孟德爾頌）········································244
7.野蜂飛舞 （里姆斯基—科薩科夫）·································250
8.快樂的女戰士 （杜鳴心）·········································258
9.向陽花 （林爾耀 改編）··········································265
10.華麗的大圓舞曲 （蕭邦）········································273
11.D大調奏鳴曲第一樂章 （Hob.37 海頓）····························287
12.降E大調奏鳴曲 （KV 282 莫扎特）································299
13.帕格尼尼主題變奏 （別爾柯維奇）·································313
14.打虎上山 （尹德本 改編）········································323
雙鋼琴
義大利波爾卡 （拉赫瑪尼諾夫）······································333
目錄
高級部分
練習曲
1.練習曲 （Op.740 No.31 車爾尼）····································1
2.練習曲 （COH.8 TeT1斯克里亞賓）··································9
3.練習曲 （Op.72 No.2莫什科夫斯基）·································16
4.練習曲 （Op.72 No.11莫什科夫斯基）·······························25
5.練習曲 （狩獵 李斯特）············································34
6.練習曲 （冬風 蕭邦）··············································46
7.練習曲 （英雄 李斯特）············································67
復調
1.三部創意曲 （No.14巴赫）·········································80
2.降B大調序曲與賦格 （No.21巴赫）·································87
3.d小調奏鳴曲 （斯卡拉蒂）··········································97
4.c小調前奏曲與賦格 （巴赫）·······································103
5.薩拉班德、基格與帕薩卡利亞
（選自《第一組曲集第七組曲》 亨德爾）····························113
奏鳴曲
1.F大調奏鳴曲第一樂章 （海頓）·····································124
2.D大調奏鳴曲第一樂章 (莫扎特 K576）······························137
3.A大調奏鳴曲第三樂章 (舒伯特 D664) ·····························150
4.暴風雨奏鳴曲第一樂章 （貝多芬 Op.31 No.2）·······················164
5.悲愴奏鳴曲第三樂章 （貝多芬 Op.13）······························181
樂曲
1.櫻花 （王建中 改編）·············································196
2.夜曲 （Op.48 No.1）蕭邦········································207
3.夕陽蕭鼓 （黎英海 改編）·········································218
4.百鳥朝鳳 （王建中 改編）·········································236
5.升c小調幻想即興曲 （Op.66 蕭邦）································254
6.g小調前奏曲 （Op.23 No.5拉赫瑪尼諾夫）··························270
7.水中嬉戲 （拉威爾）··············································283
8.匈牙利狂想曲 （No.6 李斯特）····································307
雙鋼琴
升c小調前奏曲 （拉赫瑪尼諾夫）····································323
練習曲
1.練習曲 （拜厄 No.88）·············································1
2.練習曲 （萊姆安 Op.37 No.5）·······································3
3.練習曲 （車爾尼 Op.599 No.73）·····································5
4.練習曲 （車爾尼 Op.599 No.98）·····································8
5.練習曲 （車爾尼 Op.849 No.12）····································10
6.練習曲 （車爾尼 Op.849 No.16）····································14
7.練習曲 （海勒 Op.47 No.6）········································17
8.練習曲-義大利舞曲 （孔空奈）·······································20
復調
1.進行曲 （No.16 巴林）·············································25
2.小廣板 （斯卡拉蒂）················································28
3.小前奏曲 （No.8 巴赫）············································30
4.視唱曲 （卡爾·菲·艾·巴赫）······································33
5.迴旋曲 （巴赫）····················································37
6.二部創意曲 （No.1 巴赫）···········································41
7.二部創意曲 （No.8 巴赫）···········································44
8.二部創意曲 （No.14 巴赫）··········································47
樂曲
1.旋律 （安東·魯賓斯坦）············································50
2.G大調小步舞曲 （貝多芬）··········································53
3.音樂瞬間 （Op.94 No.8 舒伯特）·····································57
4.圓舞曲 （柴可夫斯基）··············································62
5.間奏曲 （《鄉村騎士》馬斯卡尼）·····································67
6.多瑙河之波 （伊凡諾維奇）··········································71
7.碎步舞曲 （巴托克）················································81
8.匈牙利舞曲 （勃拉姆斯）············································85
9.噴泉 （鮑姆）·····················································90
10.小奏鳴曲 （Op.55 No.1 庫勞）····································98
11.小奏鳴曲 （Op.36 No.3 克列門蒂）································106
12.看戲 （譚盾）···················································116
13.火車向著韶山跑 （李淇 改編）·····································122
四手聯彈
閒聊波爾卡 （施特勞斯）············································127
提高篇
練習曲
1.練習曲 （Op.553 No.3 車爾尼）····································136
2.練習曲 （Op.636 No.15 車爾尼）···································140
3.左手練習曲 （Op.46 No.21 海勒）··································143
4.練習曲 （Op.299 No.14 車爾尼）···································146
5.練習曲 （No.35 克拉莫）··········································149
6.練習曲 （Op.299 No.39 車爾尼）···································153
7.三度雙音練習曲 （Op.740 No.10 車爾尼）···························159
8.練習曲 （Op.740 No.12 車爾尼）···································162
復調
1.復調性樂曲 （於蘇賢）············································167
2.阿勒曼德舞曲 (亨德爾) ··········································171
3.庫朗特舞曲 （巴赫）··············································175
4.賦格《喜悅》 （丁善德）··········································178
5.三部創意曲 （No.7 巴赫）·········································181
6.薩拉班德舞曲 （巴赫）············································185
7.阿勒曼德舞曲 （巴赫）···········································188
8.組曲 （亨德爾）·················································191
樂曲
1.月光 （福列）···················································195
2.亞麻色頭髮的少女 （德彪西）·····································200
3.邀舞 （韋伯）···················································205
4.土耳其進行曲 （A大調奏鳴曲第三樂章 KV 331 莫扎特）··············221
5.降B大調即興曲 （舒伯特）·······································228
6.C小調無詞歌 （孟德爾頌）········································244
7.野蜂飛舞 （里姆斯基—科薩科夫）·································250
8.快樂的女戰士 （杜鳴心）·········································258
9.向陽花 （林爾耀 改編）··········································265
10.華麗的大圓舞曲 （蕭邦）········································273
11.D大調奏鳴曲第一樂章 （Hob.37 海頓）····························287
12.降E大調奏鳴曲 （KV 282 莫扎特）································299
13.帕格尼尼主題變奏 （別爾柯維奇）·································313
14.打虎上山 （尹德本 改編）········································323
雙鋼琴
義大利波爾卡 （拉赫瑪尼諾夫）······································333
目錄
高級部分
練習曲
1.練習曲 （Op.740 No.31 車爾尼）····································1
2.練習曲 （COH.8 TeT1斯克里亞賓）··································9
3.練習曲 （Op.72 No.2莫什科夫斯基）·································16
4.練習曲 （Op.72 No.11莫什科夫斯基）·······························25
5.練習曲 （狩獵 李斯特）············································34
6.練習曲 （冬風 蕭邦）··············································46
7.練習曲 （英雄 李斯特）············································67
復調
1.三部創意曲 （No.14巴赫）·········································80
2.降B大調序曲與賦格 （No.21巴赫）·································87
3.d小調奏鳴曲 （斯卡拉蒂）··········································97
4.c小調前奏曲與賦格 （巴赫）·······································103
5.薩拉班德、基格與帕薩卡利亞
（選自《第一組曲集第七組曲》 亨德爾）····························113
奏鳴曲
1.F大調奏鳴曲第一樂章 （海頓）·····································124
2.D大調奏鳴曲第一樂章 (莫扎特 K576）······························137
3.A大調奏鳴曲第三樂章 (舒伯特 D664) ·····························150
4.暴風雨奏鳴曲第一樂章 （貝多芬 Op.31 No.2）·······················164
5.悲愴奏鳴曲第三樂章 （貝多芬 Op.13）······························181
樂曲
1.櫻花 （王建中 改編）·············································196
2.夜曲 （Op.48 No.1）蕭邦········································207
3.夕陽蕭鼓 （黎英海 改編）·········································218
4.百鳥朝鳳 （王建中 改編）·········································236
5.升c小調幻想即興曲 （Op.66 蕭邦）································254
6.g小調前奏曲 （Op.23 No.5拉赫瑪尼諾夫）··························270
7.水中嬉戲 （拉威爾）··············································283
8.匈牙利狂想曲 （No.6 李斯特）····································307
雙鋼琴
升c小調前奏曲 （拉赫瑪尼諾夫）····································323
序言
改革開放幾十年以來，鋼琴的普及教學已經在我國各地開花結果。較為傳統的、種類不多的國外教材已經不能滿足廣大鋼琴學習者的訓練需要。鋼琴作為“樂器之王”從早期的巴洛克、古典時期，經過浪漫主義、印象派發展至今，文獻既已浩如煙海。作為不同年齡段的學習者不僅需要學習傳統教材，儘可能多地接觸不同性質的鋼琴文獻亦是不可或缺的。
這套教材根據難易程度進行選曲，同時將蒐集在冊的文獻分為四類。這些性質各異、生動多樣的作品當中既有部分傳統教材中常見的樂曲，亦有一些以往運用較少的篇章。兩者的結合使學習者更好地了解現有程度可以擴充的文獻內容。除此之外，非常值得一提的是部分中國作品的編入，這無疑為學習者掌握不同性質的作品提供了更大的空間。
大多初級和中級的鋼琴學習者對於鋼琴演奏的思考和理解往往僅限於演奏音符、糾正指法和節拍等等問題當中。而演奏任何一首鋼琴作品，無論作品程度深淺，思考都應是多元化的。此套樂譜另一新穎之處在於編者細心地將每首作品的曲式結構以及演奏要領進行了分析和解釋。為學習者在練琴時提供了學習音樂作品的橫向思考模式；為鋼琴演奏者的學習提供了一套更為理想的教材。
中央音樂學院鋼琴系副教授，鋼琴共同課教研室主任
——林曄
這套教材根據難易程度進行選曲，同時將蒐集在冊的文獻分為四類。這些性質各異、生動多樣的作品當中既有部分傳統教材中常見的樂曲，亦有一些以往運用較少的篇章。兩者的結合使學習者更好地了解現有程度可以擴充的文獻內容。除此之外，非常值得一提的是部分中國作品的編入，這無疑為學習者掌握不同性質的作品提供了更大的空間。
大多初級和中級的鋼琴學習者對於鋼琴演奏的思考和理解往往僅限於演奏音符、糾正指法和節拍等等問題當中。而演奏任何一首鋼琴作品，無論作品程度深淺，思考都應是多元化的。此套樂譜另一新穎之處在於編者細心地將每首作品的曲式結構以及演奏要領進行了分析和解釋。為學習者在練琴時提供了學習音樂作品的橫向思考模式；為鋼琴演奏者的學習提供了一套更為理想的教材。
中央音樂學院鋼琴系副教授，鋼琴共同課教研室主任
——林曄
