基本介紹
人物簡介,研究成果,社會任職,
人物簡介
作為一位明清至近現代的中國藝術學者，姚進莊編寫超過20篇專書及論文著作，包括：Writing Modern Chinese Art: Historiographic Explorations（西雅圖：華盛頓大學出版社，2009）及蓋蒂基金會贊助線上圖錄Remembering Days Gone By: Chinese Painting and Calligraphy from the Seattle Art Museum Collection。他曾任教及演講於多間大學，包括華盛頓大學及西雅圖大學。
姚進莊於香港中文大學文物館已策劃超過30個專題展覽及增添400多件藝術品，同時亦推動多個推廣及發展項目，如館藏數位化計畫、多元教育活動及文物館擴建計畫。
研究成果
- 研究項目
1. Art in early Twentieth century China and Italy 二十世紀初期的中國與義大利藝術
2. A.I. and Calligraphy 人工智慧與書法
3. Mid‐century Hong Kong Art 二十世紀中期香港藝術
- 主要著作/文章
1. “Taking the Long View: 50 Years of Building the Art Collection and Advancing Scholarship at CUHK,” Arts of Asia (Autumn 2021), 111‐123.
2. “Wugong and State Rites,” The National Palace Museum Research Quarterly, vol. 37.4 (2020.9), pp. 220‐270.
3. (Co‐Editor with Pedith Chan) Hong Kong Impressions. Hong Kong: Art Museum of The Chinese University of Hong Kong, 2019.
4. (Project Director) Sheng Xuanhuai Archive, launched in December 2018.
5. (Project Director and Co‐editor with Mimi Gates) Uncover the Past: Chinese painting and calligraphy at the Seattle Art Museum, launched in 2013.
6. (Editor) Huli hutu meng zisha, Hong Kong: Chinese University of Hong Kong, 2018. (編輯)《壺裡壺塗夢紫砂》。香港：香港中文大學文物館，2018。
7. “The Xieyi Portraiture of Ren Bonian,” Arts of Asia, vol. 49.4 (Jul‐Aug 2019), pp. 96‐102.
8. “Liaoliao shubi, jianzhe jiewei shensi 寥寥數筆，見者皆謂神似,” Art & Collection《典藏》, vol. 321 (Jun 2019), pp.102‐107.
9. “The Politics of Incense Offering and the Rise of Archaistic Censers,” in Chen Jue ed., Xin yu Wu Rong—Rao Zongyi xiansheng baisui hua dan ‘Han xue yu wuzhi wenhua’ guoji yantaohui lunwenji 《心與物融—饒宗頤先生百歲華誕‘漢學與物質文化’國際研討會論文集》. Taipei: Linking Books Press, 2018, pp. 159‐178.
10. “Lui Shou‐kwan’s Study of Classical Paintings,” Arts of Asia, vol. 46.5 (Sept‐Oct 2016), pp. 77‐85.
11. “Wucius Wong: Bridge over Troubled Water,” in Hung, Keung ed. Ink Innovations and Crossovers: Retrospective Exhibition of Paintings by Wucius Wong. Hong Kong: Hong Kong Polytechnic University Press, 2016, pp. 30‐39.
12. “Rethinking Gao Jianfu: Idea before the Brush,” Arts of Asia, vol. 44.2 (March‐April 2014), pp. 122‐131.
13. A Fuller View of China: Chinese Art at the Seattle Art Museum. Seattle: University of Washington Press, 2014.
14. Uncover the Past: Chinese painting and calligraphy at the Seattle Art Museum.
15. Two Masters, Two Generations, and One Vision for Modern Chinese Painting: Paintings by Gao Jianfu (1879‐1951) and Lui Shou‐kwan (1919‐1975) in The Chinese University of Hong Kong and the University of Oxford. Hong Kong: Chinese University of Hong Kong, 2013.《殊塗同歸──香港中文大學與英國牛津大學所藏高劍父、呂壽琨作品展》，香港中文大學，2013年。
16. “The Stone Altar in Ming and Qing Mausoleums,” in Wu Hung et al, Studies on Ancient Tomb Art, vol. II. Changsha: Hunan meishu chubanshe, 2013, pp. 359‐375.〈明清兩代陵墓的石供桌〉，《古代墓葬美術研究》（第二輯），頁359‐375，湖南美術出版社，2013年。
17. “The Rise of Sang de Boeuf ceramics,” in A Life in Chinese Art, edited by Shelagh Vainker. Oxford: Ashmolean Museum of Art and Archaeology, 2012, pp. 64‐73.
18. “The Blue in Qi Baishi’s Blue Mountains: On a landscape in the Collection of Professor Michael Sullivan,” in Wang Mingming ed., Qi Baishi Guoji taolunhui lunwenji. Beijing: Wenhua yishu chubanshe, 2010, vol. 2, pp. 552‐535.〈齊白石的青山之青 從蘇立文先生所藏的《雨余山圖》談起〉，王明明編著：《齊白石國際研討會論文集》，北京：文化藝術出版社，2010年。
19. Writing Modern Chinese Art. Seattle: University of Washington Press, 2009.
20. “On the Origin of the Garniture de Cheminée” (peer‐reviewed), Journal of American Ceramic Circle, vol. 15 (2009), pp. 11‐23.
社會任職
中國工藝美術學會宮廷藝術專業委員會副主任。
