Sava, L. (2019). Theatre Through the Camera Eye: The Poetics of An Intermedial Encounter. Edinburgh: Edinburgh University Press.
論文
Sava, L. (2010). The Problem of Film-Theatre Intermediality in Jesus of Montreal. Excursions 1(1), pp.102-122.
Sava, L. (2011). Theatre du Soleil Meets the Cinema: Acting and Mask Work in Ariane Mnouchkine's Moliere (1978). Screening the Past, 31.
Sava, L. (2022). Enabling student participation in syllabus design through film nominations and voting: An action research project. Film Education Journal 5(2), pp.80-92.
書評
Sava, L. (2010). Review of David E. Morrison et al. (2007) Media and Values: Intimate Transgressions in a Changing Moral and Cultural Landscape. Film-Philosophy 14 (1), pp.361-366.
Sava, L. (2013). Review of Andrew Utterson (2011). From IBM to MGM: Cinema at the Dawn of the Digital Age. Quarterly Review of Film and Video 30 (4), pp. 335-338.
會議
Sava, L. (2023). 'Painting in the 'Age of Nervousness': Peter Watkins's Edward Munch. Affective Intermediality Conference, Sapientia Hungarian University, Cluj Napoca, Romania, 20-21 October.
Sava, L. (2022). ''You can't get innocent twice': The Performance of 'Real' and Acted Feeling in Clouds of Sils Maria'. The 10th Annual Conference of the British Association of Film, Television and Screen Studies (BAFTSS). University of St. Andrews, UK, 20-22 April.
Sava, L. (2021). 'Teaching European Cinema at a Sino-British University in China: A Transnational Perspective'. The International Virtual Conference 'Media Education in an Uncertain and Polarized World'. The Media Literacy Education Center, Beijing Normal University-Hong Kong Baptist University United International College, Zhuhai, P.R.China, 13-14 June
Sava, L. (2019). 'Infantilisation and Insecure Attachments in Cristian Mungiu's Beyond the Hills (2012)'. Screen Studies Conference, Glasgow, UK, 28-30 June
Sava, L. (2018). 'It's Theatre, It's an Interpretation of Life, It Can Be Truer Than Life Itself: Performance, Possibility, and Intermedial Thresholds in Clouds of Sils Maria'. Conference 'Intermediality Now: Remapping In-Betweenness', Sapientia University, Cluj Napoca, Romania
Sava, L. (2018). 'Infantile Attachment, Group Submission and the Ethics of Care in Beyond the Hills'. The International Conference on Psychology and the Arts, Institute of Advanced Studies, Dubrovnik, Croatia, 27 June-1 July
Sava, L. (2016). 'The Value of Attribution: Questions of Adaptation and Authorship in Beyond the Hills'. The Fifth Annual London Film and Media Conference, 7-9 July
Sava, L. (2015). 'Compulsive re-telling and the search for the perfect moment in Spalding Gray’s performance films'. Film-Philosophy Conference 'Evaluating Form', St. Anne’s College, Oxford University, UK, 20-22 July
Sava, L. (2013). 'Voicing the Other: Post-medium Articulations of Sound and Image in The Arbor', Panel ‘Post-medium Condition of the Moving Image’ at the Annual Convention of the Association for the Studies of Culture and Representation, Kansai University, Osaka, Japan, 29-30 June
Sava, L. (2012). 'Coming into Focus: The Vanishing Subject and the Revivifying Camera in The Strange Case of Angelica'. Alphaville Conference ‘Cinema in the Interstices’, University College Cork, Cork, Ireland, 7-9 September
Sava, L. (2012). 'An Intermedial Mix-and-Match: The Arbor between Verbatim Technique, Archive and Street Performance'. Colloquium ‘Théâtre au cinéma, cinéma au théâtre dans les aires culturelles anglophones et francophones’, New York University in Paris, Paris, France, 15-16 March
Sava, L. (2011). 'Listening Demands and Aural Perspectives in Je rentre à la maison'. NECS Conference ‘Sonic Futures: Soundscapes and the Languages of Screen Media’, King’s College, London, UK, 23-26 June
Sava, L. (2010). 'The Deferred Performance: The Experience of Theatre through Film in Synecdoche, New York'. ‘Theatre and Film’ Southeastern Theatre Conference, Agnes Scott College, Decatur, Atlanta, US, 9-11 April
Sava, L. (2009). 'Welcoming the Intermedial: Interactions between Film and Theatre'. In-Sight: Visualing the Theory, Theorising the Visual Conference, University of Sussex, UK, 15-16 April
Sava, L. (2008). 'Do It Again For the Camera: The Intermediality of The Reenactment'. NECS Conference ‘New and Old Frames’, Budapest, Hungary, 19-21 June.
Sava, L. (2007). 'Actors in search of a stage: Theatricality in Fanny and Alexander'. 80th Annual Convention of the South Atlantic Modern Language Association (SAMLA). Louisville, Kentucky, US, 7-9 November
