(When asked about what he's going to teach Luna about religion) "I'll let her make up her own mind. I'm not going to force her into anything. I'm not going to force her into anything at all."
（問到他會怎樣在信仰方面教導女兒）
“我會讓她按自己的想法來。我不會強迫她任何事情。我絕對不會強迫她任何事情。”
(Concerning Luna) "She doesn't use the 'F' word though. Just like her daddy."
（同上）
“不過她也不會用F開頭的這個詞（Fuck）。和她爸爸一樣。”
(When asked what he's going to expose Luna to) "This is the irony of it. She loves Winnie the Pooh. And she loves The Simpsons. And she loves Disney. And Stuart Little. And stuff like that. And she'll dance to it, and that's what you expect from kids. But then at the same time, she'll be dancing around the kitchen to the new Nile album. At the moment she is too young to understand the difference. And that innocence is worth protecting."
整部片子可以說沒有劇情，是一部MV式的電影，觀看時只需體會畫面和聲音結合的氛圍即可，不要想的太多。正如高曉松的那時花開可以當作一首校園民謠的MV來看一樣，你完全可以把Cradle of Fear當作一部流行黑金的MV來欣賞。本片配樂多為電子，片尾才出現Black Metal。片中血腥鏡頭大都以寫實手法表現（雖然現實中不太有機會看到），不象某些恐怖片以當事人的神情或黑影的動作來旁敲側擊，然而某些設計卻和以前錄像帶時期的看的恐怖片有些雷同。具體恐怖血腥在哪裡，說得太多會影響你入戲。
書籍
The Gospel of Filth: A Bible of Decadence and Darkness
A Bible of Decadence and Darkness
（無中文簡介，如有懂英文者可以翻譯一下）
The Gospel of Filth is the boldest, most comprehensive guide to the realms of darkness and devilry ever published. Taking in every significant milestone and major landmark, this lavishly illustrated volume is the definitive study of the dark side. No tombstone remains unturned in this wide-ranging and witty dissection of the uncanny and unholy, of the esoteric and erotic. Music forms The Gospel's entry point, but every medium, from movies and literature, to comics and computer games is considered, while the authorities consulted range from Oxford academics to metal musicians as well known for their criminal records as musical ones.The principal consultant is Dani Filth, who rides shotgun with author Gavin Baddeley, providing insight and impish irreverence at every turn. Dani's band Cradle of Filth are one of England's most successful and controversial musical exports of the past decade, loved and loathed in equal measure, the singer bringing that same provocative edge to this, his first literary effort. Emerging from the violent cauldron of chaos that propelled the black metal scene to the forefront of the extreme music scene in the early-90s, Cradle of Filth have since transcended such subcultural boundaries, embracing the likes of Decadent art and Gothic literature to create an inimitable, sensuously sinister style all of their own. Experts consulted range from ex-FBI Agent Robert Ressler (who first coined the term 'serial killer'), to world expert on psychoactive drugs Richard Rudgley, via Satanic High Priest Peter Gilmore. Legendary horror film director Dario Argento gives insight into his art, as do War of the Worlds composer Jeff Wayne, controversial art director Nigel Wingrove, Lovecraftian artist John Coulthart, and ghost photographer Simon Marsden. A galaxy of dark stars from the modern musical world are also represented, with original words from the likes of Tom Araya (Slayer), Pete Steele (Type O Negative), Sharon del Adel (Within Temptation), Glen Benton (Deicide), Ville Valo (HIM), James Hetfield (Metallica), Adam 'Nergal' Darski (Behemoth), Bard 'Faust' Eithun (ex-Emperor), Cristina Scabbia (Lacuna Coil), Jason Mendonca (Akercocke), Andi Sex Gang (Sex Gang Children), King of Hell (Gorgoroth), Nick Holmes (Paradise Lost), Chad Gray (Mudvayne), Le'rue Delashay (Christian Death), Montalo (Witchfynde), Jinx Dawson (Coven), Metatron (The Meads of Asphodel), John Bush (Armored Saint), Andrea Haugen (Nebelhexe), and many more.
