1995年,受德國作曲家Hans Werner Hanze推薦,成為慕尼黑國際音樂戲劇比賽評審。同年,為電影《南京大屠殺》創作電影配樂,推出電影原聲專輯《不要哭啊!南京1937》。1996年,譚盾的作品《馬可波羅》受日本作曲家武滿澈提名獲加拿大格蘭.格德音樂獎。1997年7月,由譚盾作曲配樂的《交響曲1997:天·地·人》和《鬼戲》兩張專輯發行。1999年,譚盾憑歌劇《馬可波羅》榮獲格威文美爾作曲大獎。12月,由譚盾作曲配樂的專輯《千禧年》發行。
Violin Concerto "Rhapsody & Fantasia": Ia. Rock the Violin in Rhapsody. Hip-Hop - (狂想曲:戲夢搖滾 - 嘻哈)
Violin Concerto "Rhapsody & Fantasia": Ib. Rock the Violin in Rhapsody. Malinconia - (狂想曲:戲夢搖滾 - 愛)
Violin Concerto "Rhapsody & Fantasia": Ic. Rock the Violin in Rhapsody. Hip-Hop - (狂想曲:戲夢搖滾 - 搖滾青春)
Violin Concerto "Rhapsody & Fantasia": IIa. A Dream Out of Peking Opera. Dolce molto - (幻想曲:戲夢人生 - 戲夢)
Violin Concerto "Rhapsody & Fantasia": IIb. A Dream Out of Peking Opera. Andante - (幻想曲:戲夢人生 - 幻 )
Violin Concerto "Rhapsody & Fantasia": IIc. A Dream Out of Peking Opera. Adagio - Allegro - (幻想曲:戲夢人生 - 命如琴弦)
Violin Concerto "Fire Ritual": I. Moderato - (小提琴協奏曲《火祭》:祭)
Violin Concerto "Fire Ritual": II. Andante - (小提琴協奏曲《火祭》:善)
Violin Concerto "Fire Ritual": III. Moderato - (小提琴協奏曲《火祭》:咒)
Violin Concerto "Fire Ritual": IV. Moderato - (小提琴協奏曲《火祭》:哀)
Violin Concerto "Fire Ritual": V. Moderato - (小提琴協奏曲《火祭》:念)
彼得與狼
發行時間2015-06-01
專輯語言國語
唱片公司環球唱片
專輯類型錄音室專輯
專輯曲目
“今天我們要給小朋友們講一個故事”
“一天清早,彼得打開大門…...”
“有一隻小鳥坐在大樹上,它是彼得的好朋友 ”
“就在這個時候,一隻鴨子搖搖擺擺地走過來。”
“狡猾的貓慢慢接近小鳥……彼得發現了它”
“這時候,彼得的爺爺來了”
“彼得沒走多久,一隻大灰狼從森林裡走出來。”
“彼得站在被鎖的大門後面看到了一切,他一點也不害怕……”
“彼得把繩子做成了一個圈套,小心翼翼地放下去……”
“就在這時……森林裡走過來幾個獵人……”
TAN, Dun: Symphonic Poem of 3 Notes / Orchestral Theatre / Concerto for Orchestra (after Marco Polo) (Hong Kong Philharmonic, Tan Dun)
發行時間2012-10-01
專輯語言英語
唱片公司Naxos
專輯類型EP
專輯曲目
Symphonic Poem of 3 Notes
Orchestral Theatre
Concerto for Orchestra (after Marco Polo):I. Light of Timespace
Concerto for Orchestra (after Marco Polo):II. Scent of Bazaar
Concerto for Orchestra (after Marco Polo):III. The Raga of Desert
Concerto for Orchestra (after Marco Polo):IV. The Forbidden City
The Martial Arts Trilogy
發行時間2011-08-30
專輯語言其他
唱片公司Sony Classical
專輯類型精選集
專輯簡介Of the Chinese composers who received training in the years after the end of the Cultural Revolution, Tan Dun has the most immediately accessible style, and his success has been global in scope. This does not mean his style is simple, and in fact his music is notable for the detail with which it is tailored to specific occasions. The music on this release is adapted from his scores, popular in themselves, for three well-known martial arts films, and you might think of him as a musical counterpart to the director of one of the three films, Zhang Yimou. Both are masters of an epic sweep that initially seems heavily Westernized: Zhang's imagery seems drawn from Hollywood, and Tan's tonality European. But each is much more Chinese than he appears. In Tan's case this is not simply a question of the Chinese traditional instruments that are combined with the Western orchestra, or of the Chinese scales employed. It also involves the ways of playing the instruments, here executed entirely by Chinese musicians except for violinist Itzhak Perlman, the Western player who has shown the most enduring interest in Asian genres. He appears in four cuts from the score to Hero, arranged for violin, traditional Chinese instruments, and orchestra, and each of the other two sets of film selections is also arranged for a prominent soloist, cellist Yo-Yo Ma in the case of Crouching Tiger, Hidden Dragon, and pianist Lang Lang in the music from the lesser-known The Banquet. These suites, with the possible exception of the Hero pieces, extract some of the emotional essence of each film and will appeal to those who simply enjoyed the cinematic spectacles. Anyone with a taste for the big, impeccably produced spectacles that are the specialty of contemporary Chinese culture will enjoy them, too, as will those tracking the spread of a truly global music: you can't find a better example than this. Tan Dun conducted the music in Shanghai (with the Shanghai Philharmonic) and New York (with the China Philharmonic); the mastering cleanly puts these sources together.
專輯簡介唱片編號:8573-81830-2樂 隊:西班牙國家交響樂團指 揮:湯沐海吉 他:Sharon Isbin獲獎情況:2001年44屆格萊美最佳協奏曲大獎資源出處(Credit):RS專輯介紹: 這張碟是中國作曲家譚盾和美國當代作曲家Christopher Rouse的吉他協奏曲。這是這兩部作品的第一次發表,TELDEC出品。 譚盾作品的風格、音素應該符合我們的視聽習慣。加上他用了一些中國樂器,聽起來更親切。1. Concerto de Gaudi for Guitar and Orchestra 作曲:Christopher Rouse (1949 - ) [西班牙] 勞斯在音樂與建築之間產生了“通覺”,從而以西班牙建築設計師安東尼·高迪的作品為素材創作了這首協奏曲。正如西班牙傳統和靈魂在高迪的建築中得到了某種經過變化的反映,西班牙音樂風格在勞斯的協奏曲中也增加了一道幻想的光暈。但勞斯堅持認為他並不是通過音樂來刻劃高迪的建築,而是以聲音表達高迪的建築帶給他的超現實主義和無法琢磨的印象:“所以,我並非專注於高迪的建築結構,而是試圖觸摸建築作品中的‘精神’。我很難用語言來描述這種‘精神’,我所能說的只是高迪從基本的、廣為接受的建築設計出發,套用了充滿幻想和出其不意的螺旋、曲線、和滴檐,這使他成為為數不多的幾個得以實現其夢想的夢想家之一。”也正是這一點啟發了勞斯,激起他建造一個屬於自己的“幻想世界”的熱望,於是高迪在勞斯的音樂夢幻旅途中成為了催化劑:“結果,我決定從我心目中西班牙音樂的精髓——弗拉門哥出發,也象高迪一樣對其進行扭轉、彎曲、和變形。” 這部協奏曲是高迪受北方德國廣播電台和達拉斯交響管弦樂團的共同委託為伊斯賓創作的,完成於1999年,並於2000年1月2日在德國漢堡由伊斯賓與克里斯托弗·艾森巴赫(Christoph Eschenbach)指揮的北方德國廣播電台管弦樂團合作進行世界首演,伊斯賓認為這部作品中充滿蓬勃的生機和神秘的美,這與勞斯以往作品中宿命與悲劇的格調大相逕庭。全曲聽起來似乎是某種打擊樂器的協奏曲。 2. Concerto for Guitar and Orchestra (Yi2) 作曲:Dun Tan (1957 - ) [中國] 譚盾的吉他協奏曲《易經三部曲之二》(Yi2)是1996年受位於巴頓-巴頓(Baden-Baden)的西南德國廣播電台的委託,為Donaueschingen藝術節創作、並在該藝術節上由伊斯賓和洛沙·扎格洛塞克(Lothar Zagrosek)指揮的法國國家交響樂團合作進行世界首演。這部協奏曲是易經三部曲的最後一部,Yi0是管弦樂作品,Yi1是大提琴協奏曲,Yi2則是這首吉他協奏曲。在較長的吉他獨奏樂段中,管弦樂為獨奏者的即興創作提供了適當的烘托:“最好的音樂同時也應該是理想的即興演奏。所謂‘即興’並非恣意,而是自由的創作,同時它必須給聽眾以‘非此不可,別無他選’的印象。只有在音樂中才能實現這種自然性與邏輯性的高度結合。”伊斯賓認為譚盾將吉他與琵琶這兩種非常不同的樂器進行融合,同時也將西班牙文化和中國文化交織在一起。(琵琶屬於旋律性的東方彈撥樂器,而吉他則是更偏重於和聲的西方樂器)。此曲中伊斯賓大量使用了琵琶的輪指和裝飾音,東方韻味十足,同時在第一樂章起始處應和著指揮的擊掌進行掃弦和敲板,加入了少量弗拉門哥風格,甚至垂直拉弦打擊品絲配合揉弦和大幅度滑音來模仿箏的音響。生長於湖南思茅地區的譚盾兒時曾居住在“白山”,那裡每天幾乎都進行50來場葬禮,而Yi2便是取材於這種“白喜”的葬禮音樂,(我們把喪事稱作“白喜”,就象我們把婚事稱作“紅喜”一樣),吉他與管弦樂表現了這種喪葬場面和情緒。
專輯曲目
Rouse: Concert de Gaud?for Guitar and Orchestra (1999) - 1. Allegro
Rouse: Concert de Gaud?for Guitar and Orchestra (1999) - 2. Largo sereno
Rouse: Concert de Gaud?for Guitar and Orchestra (1999) - 3. Svolazzante
Tan Dun: Concerto for Guitar and Orchestra (1996) - 1. Rubato
Tan Dun: Concerto for Guitar and Orchestra (1996) - 2. Adagio
Tan Dun: Concerto for Guitar and Orchestra (1996) - 3. Andante agitato
Tan Dun: Concerto for Guitar and Orchestra (1996) - 4. Cadenza
Tan Dun: Concerto for Guitar and Orchestra (1996) - 5. Ending
臥虎藏龍 電影原聲帶
發行時間2000-11-14
專輯語言國語、英語、其他
唱片公司索尼音樂娛樂
專輯類型原聲帶專輯
專輯簡介《臥虎藏龍》里最華麗的是武打,最深遠的是對白,而最感人的是音樂。本片的配樂由旅美大陸作曲家譚盾譜寫,國際知名的華裔大提琴家馬友友擔任主奏,兼容東西方流行文化的李玟負責以中、英文演唱主題曲“月光愛人”(A Love Before Time),搭配相當新鮮。本片的主題音樂風格幽運,哀而不傷,配合上片中含蓄的愛情表達,可謂相得益彰。在飛檐走壁的一段配上緊密有致的擊鼓聲,則充分烘托出緊張刺激的武打氣氛,堪稱是中國電影配樂中的極品,贏取奧斯卡的最佳電影配樂金像獎的確是實至名歸。影片一開場便是主題音樂《臥虎藏龍》,馬友友用大提琴演奏的憂傷而深沉的旋律自此就貫穿了整部影片。大提琴是整部音樂中最重要的組成部份。聽這一張電影原聲專輯,我總是會自然而然地想起影片中的一句台詞,李慕白對俞秀蓮說:“我並沒有得道的喜悅,相反地,卻被一種寂滅的悲哀環繞。這悲哀纏繞了我很久,使我無法再繼續(閉關修練)”。整個音樂就和影片一樣呈現出一種“很深的寂靜”。一部古裝武俠片,李安表現出的是無盡的寂寞和悵然,而譚盾的音樂也是如此。即使在《The Eternal Vow》(永恆的誓言)這首曲子中,開始短暫的歡快而跳躍的新疆風格音樂之後,延續和發展的依然是《臥虎藏龍》的舒緩和憂傷。李慕白為了向俞秀蓮表達自己壓抑多年的深愛之情,不惜用盡最後一口真氣;而玉蛟龍則在一系列打擊之後感到人生幻滅無常,投崖而去。這兩個電影部分的音樂分別是《Sorrw》(悲哀)和《Farewell》(永別)。《悲哀》在開始短暫的激烈和緊張之後,大提琴緩緩地進入,與交響樂共同營造出一個黯淡的空間;而《訣別》大提琴從一開始便進入,流露出一種憂傷的情緒。馬友友的演奏讓人欽佩,大提琴如泣如訴,尤其在音樂即將結束的尾音,漸隱的大提琴聲反而更強烈地拉扯住了聽者的心。《臥虎藏龍》的電影配樂讓我們感到譚盾的音樂並沒有因為旅美多年而變得西化,相反地,他的作品中透出一股更加深邃的東方音樂文化氣息,人生的困惑和無奈用典型的中國情結表達了出來:舒緩而優美的旋律,惆悵而悲傷的人生。這音樂氣息中透出的傷感就如同是對背負著太多壓力的中國人的人生髮出的一聲嘆息。“我們能觸摸的,都沒有永遠。”——李慕白
專輯曲目
月光愛人 李玟
臥虎藏龍 譚盾;馬友友
永恆的誓約 譚盾;馬友友
鬧婚 譚盾;馬友友
夜斗 譚盾;馬友友
絲綢之路 譚盾;馬友友
南行 譚盾;馬友友
穿越竹林 譚盾;馬友友
交鋒 譚盾;馬友友
荒漠奇情 譚盾;馬友友
古寺 譚盾;馬友友
思慕青冥劍 譚盾;馬友友
悲 譚盾;馬友友
離 譚盾;馬友友
A Love Before Time 李玟
Water Passion after St. Matthew
發行時間2000-09-08
專輯語言其他
唱片公司Parnassus Production
專輯類型演唱會專輯
專輯簡介Water Passion after St. Matthew for Soloists, Choir and Instruments (1999/2000)In my hometown, in ancient times and even in my childhood in the village, the people were always washing rice in the river before they cooked it, and washing their clothes in the river, washing their bodies in the river. I had the experience of living with the water, playing with the water, listening to the water. It was very important to me.Three or four years ago, when my wife was pregnant, we went to the doctor for an ultrasound, and there I could see this beautiful baby and hear the heart. Suddenly I heard this beautiful water sound and I realized: this is the sound all human beings hear first. At that time I had just gotten the commission for the Water Passion. I said, "I’ve got to start with water"— it’s the beginning, and the beginning is the ending, and the end is the beginning. That’s the meaning of resurrection. Resurrection isn’t just a new life, but a new idea.—Tan Dun
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:Song of Peace (Prelude)
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:I. HEAVEN
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:I. Dragon Dance
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:I. Phoenix
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:I. Jubilation
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:I. Opera in Temple Street (with Bianzhong)
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:II. Earth (Yi3)
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:II. Water
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:II. Fire
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:II. Metal
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:III. Mankind
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:III. Lullaby
Heaven Earth Mankind (Symphony 1997), symphony for cello, Bianzhong Bells, children's chorus, CD player & orchestra:III. Song of Peace
Tan Dun: Ghost Opera
發行時間1997-03-14
專輯語言英語
唱片公司華納音樂
專輯類型EP
專輯曲目
Ghost Opera:Act I . Bach,Monks and Shakespeare Meet in Water
Ghost Opera:Act II. Earth Dance
Ghost Opera:Act III. Dialogue with Little Cabbage
Ghost Opera:Act IV. Metal and Stone
Ghost Opera:Act V. Song of Paper
Snow In June
發行時間1994-06-13
專輯語言英語
唱片公司Composers Recordings
專輯類型原聲帶專輯
專輯曲目
Circle with Four Trios, Conductor and Audience (1992)
Eight Colors for String Quartet (1988-1986)-Peking Opera