作為一位明清至近現代的中國藝術學者,姚進莊的著作包括:Writing Modern Chinese Art: Historiographic Explorations(西雅圖:華盛頓大學出版社,2009)及蓋蒂基金會贊助線上圖錄Remembering Days Gone By: Chinese Painting and Calligraphy from the Seattle Art Museum Collection。他曾任教及演講於多間大學,包括華盛頓大學及西雅圖大學。姚進莊
主要著作
專書:
A Fuller View of China: Chinese Art at the Seattle Art Museum.Seattle: University of Washington Press, 2014.
(Project Director and Co-editor)Uncover the Past: Chinese paintingand calligraphy at the Seattle Art Museum(http://chinesepainting.seattleartmuseum.org).
(Ed.)Writing Modern ChineseArt.Seattle: University of Washington Press, 2009.
論文:
“Rethinking Gao Jianfu: Idea before the Brush.”Arts of Asia,vol. 44.2 (March-April 2014), pp. 122-131.
“The Rise ofSang de Boeufceramics.” In Shelagh Vainker ed.A Life in Chinese Art. Oxford: Ashmolean Museum of Art and Archaeology, 2012.
“From the Forgotten Garden: Wang Huaiqing’s Art, Life and World.” In Tiantian Wang ed.,Wang Huaiqing: A Painter’s Painter in Contemporary China.Ediciones Polígrafa, 2011.
“The Blue in Qi Baishi’s Blue Mountains: On a landscape in the Collection of Professor Michael Sullivan.” In Wang Mingming ed.Qi Baishi Guoji taolunhui lunwenji.Beijing: Wenhua yishu chubanshe, 2010.
“Wen Zhengming’sPoem to the Painting ‘Sunset on the Jin and Jiao Mountains’.” (translated into Japanese) In Yukiko Shirahara ed.Luminous Jewels: Masterpieces of Asian Art from the Seattle Art Museum,Japan: Yomiuri Shimbun and Mitsumura Printing Co., Ltd., 2009, pp. 57-61.
“On the Origin of theGarniture de Cheminée.” (peer-reviewed)Journal of American Ceramic Circle, vol. 15, 2009, pp. 11-23.
“Art History in the Making.”Apollo: the International Magazine for Collectors,May 2008, pp. 52-57.