AKG K319是AKG推出的線控耳塞式耳機，屬於品牌傳統佩戴方式耳塞，主要適配遊戲影音及iPod設備。其頻率回響範圍為17-25000Hz，阻抗32歐姆，靈敏度128dB/1mW，採用3.5mm標準接口，配備線控功能及延長線。
該耳機設計為掛繩式耳塞結構，解析力與透明度突出，聲場寬闊且三頻均衡。中高頻表現清晰，低頻力度溫和。線控音量調節可改變音色特性，部分閉合時聲音更柔和。產品於2014年6月停產，停產前北京地區參考價為￥480-500。
基本介紹
- 中文名：akg k319
- 機式類型：耳塞
- 頻率回響：16~23000HZ
- 靈敏度：128dB/1mW
阻抗：32歐姆
靈敏度：128dB/1mW
插頭：3.5mm插頭(鍍金)
線纜長度：0.5m無氧銅導線 帶有線控
最大功率：15mW
產品重量：5g(不含線)
配件：飛機專用插頭、耳機收納盒、2.5mm轉接插頭、延長線一根
Speed and instruments separation are terrific, I can not imagine any music piece may congest K319, either it is orchestra crescendo, speed metal, symphonic metal or psy trance. Yes, K319 lacks some micro details and harmonics comparing to higher competitors, but it also free of any kind of veil - its clarity is absolute and unsurpassed by any other earbud.
Soundstage is pretty wide for earbuds, outside of your head, though yields in depth to the top Yuins starting from OK2 and above. Add precise instruments placement here and you would be most likely pleased with K319 imaging capabilities.
Tonality is slightly dry, frequency response is pretty even, though some may call it bass-light when fit is improper. The only minor peak I discovered is located somewhere in upper mids/lower highs and is rather a feature than disadvantage. In general, K319 shows no preference to any particular frequency range or musical instrument; it is quite impartial and adds little coloration.
Bass impact is from modest to neutral, depth is good and quality is excellent. Mids are distinctive and slightly dry, electric guitars are very welcome, voices are very clear while lack warmth and decay. Highs are a bit accentuated while not extended well, so they are presented well though in some simplistic manner. At the same time I did not notice any harshness or sibilance with K319.
All genres sound well with K319, those fast paced or imaging demanding benefit (say trance). I can not call K319 musical or analytical, fun or lifeless; it is rather objective and transparent - very clean window to the music made of the somewhat cool-tinted glass.
Sensitivity is high; amplification does not improve the sound. Inline volume control alters the sound, making it softer and more delicate if partially closed. I prefer it in position “one mark below the max”.
速度和樂器的分離度令人感到恐怖，我無法想像有哪種音樂能夠使K319聲音擁擠，不管是管弦樂的高潮、速度金屬、交響金屬或者迷幻trance。沒錯，和高檔耳塞相比K319的確缺乏一些微小的細節和諧波泛音，但它絕對不會有蒙上薄紗的感覺——它的清澈對於其他耳塞來說是絕對的、不可凌駕的。 聲場對於耳塞來說相當寬闊，出了你的頭顱，縱深接近宇音從OK2開始的往上的型號的水平。K319的結像能力能夠給你提供精確的樂器定位。 音色稍微有些乾，頻響非常棒，不過如果戴不好可能會稱它為沒下半身。被我發現的頻響上唯一的小峰在中頻偏上高頻偏下的位置，不過這更像是一種聲音特點而非缺點。總體來說K319沒有特別偏向某種樂器或某個頻段；非常平衡而稍有染色。 低頻衝擊力度在溫和至中等的範圍，下潛不錯質感完美。中頻很有特色稍有點乾，電吉他非常棒，嗓音非常清晰不過缺乏溫暖和殘響（Decay翻譯為殘響不知對不對？）。高頻很顯眼不過延展不大好，所以呈現得雖然不錯但有些直白。儘管如此我沒注意到K319有什麼刺耳或齒音存在。 各種類型音樂K319聽起來都不錯，不管快節奏的或迷幻的(如 say trance)（這句話真不知道是不是這么翻譯）。我無法稱K319為樂感派或解析派，無法稱它是生動的或是機械的；它更傾向於客觀和透明—— 一扇由冷色調玻璃製成的乾淨的窗戶反映著音樂。
靈敏度高；放大器並不能提升其音質。音量控制器能夠改變聲音，如果音控開一半能夠使聲音更加柔軟精美。我傾向於開在“最大音量往下一格”的位置。
