《阿諾德的設計》是2009年8月10日由The Museum of Modern Art，New York出版的圖書，作者是Paola Antonelli。
基本介紹
- 書名：阿諾德的設計
- 作者：Paola Antonelli
- ISBN：9780870707599
- 頁數：216
- 出版社：The Museum of Modern Art，New York
- 出版時間：2009-08-10
- 裝幀：平裝
圖書信息,編輯推薦,內容簡介,中文簡介,
圖書信息
紙 張/Paper:膠版紙
正文語種/Language:英文
所屬分類/Category:圖書 > 英文原版書 > Arts & Photography（藝術與攝影）
圖書 > 英文原版書 > Nonfiction（非虛構類）
定 價：￥222.40
編輯推薦
Edited by Paola Antonelli. Text by Paola Antonelli, Judith Benhamou-Huet, Jonathan Safran Foer, Marie-Laure Jousset, Ingeborg de Roode.
內容簡介
Even among the most influential designers of our time, Ron Arad stands out for the versatile nature of his work and his daredevil use of materials and technology. Idiosyncratic, surprising and always visually arresting, Arad's work communicates the joy in creation, the pleasure in invention and pride in technical and constructive qualities. His designs move from limited to almost unlimited series, from handmade to industrial, from carbon-fiber armchairs to polyurethane bottle racks. In work now plastic and tactile, now ethereal and conceptual, he has deftly avoided a recognizable style for more than 20 years. His style is rather a matter of character, reflective of his disregard for established disciplines.
Through his own output and his decade-long tenure as the head of the Design Products graduate program at the Royal College of Art in London, Arad has greatly influenced the current debate on design's relationship with art, technology and innovation and nurtured some of the most promising young designers in today's international scene. Published to accompany the first major retrospective of Arad's work in the U.S., this volume features an interview with the artist and essays on his use of innovative materials and technology, his role as an educator and communicator on the importance of design and his place in the world of design and the larger art market. A lavishly illustrated plate section provides visual and written documentation of approximately 80 works.
中文簡介
他通過自己的輸出和他任期的頭十年的研究生課程在設計產品的皇家藝術學院在倫敦,一同極大的影響了當前的辯論與藝術設計的關係,以科技創新和培養的一些最有前途的年輕設計師在今天的國際舞台。出版的第一個主要回顧陪伴的阿拉德的在美國工作,該量的特徵去採訪的藝術家和有關他使用的材料和技術創新,他作為一個教育工作者和傳播者的角色設計的重要性和他在世界上的地位的設計和更廣泛的藝術市場。一個奢侈板部分提供了視覺和的書面檔案大約80的作品。即使在最具影響力的設計師我們的時間，羅恩對多才多藝的亞拉得自然突出他的工作和他的勇敢的使用的材料和技術。特質，令人驚訝的，總是視覺拘捕，阿拉德的工作溝通的喜悅在創新、發明和驕傲的樂趣在技術和建設性的品質。他的設計從有限進入移動幾乎無限的系列，從手工到工業，從碳纖維扶手椅對氨綸瓶架。在工作了塑膠和觸覺，現在無形的和概念上的，他有一個可辨認的風格巧妙地避免了超過20年。他的風格是一個相當重要的角色，能反映出他無視建立學科。
