基本介紹
劇情簡介,演職員表,演員表,職員表,幕後製作,影片評價,
劇情簡介
故事講述了一對生活在紐約的父女之間的親情故事。克勞將扮演一個著名的小說家，他同時也是一位鰥夫父親，他一面要與精神疾病搏鬥，一面還要撫養自己的五歲小女兒凱蒂。這個故事會在上世紀80年代和凱蒂生活著的現代曼哈頓社會交叉敘事，而影片也將重現凱蒂試圖去遺忘的童年陰影。
演職員表
演員表
... | Jake Davis | ||
... | Katie Davis | ||
... | |||
... | Elizabeth | ||
Quvenzhané Wallis | ... | Lucy | |
Bruce Greenwood | ... | William | |
Janet McTeer | ... | Carolyn | |
... | Young Katie | ||
Jane Fonda | ... | Teddy Stanton | |
Octavia Spencer | ... | Dr. Corman | |
Jenny Vos | ... | Tricia | |
... | Evan | ||
Ryan Eggold | ... | ||
Chris Douglass | ... | ||
... | Andrew | ||
Matt Scheib | ... | Michael | |
... | McNally | ||
... | Wilton | ||
Paula Marshall | ... | Laura Garner | |
Darren Eliker | ... | Dr. Barrett | |
Charles David Richards | ... | Doctor | |
Kasey Daley | ... | Nurse | |
Santiago Veizaga | ... | Diego | |
Claire Chapelli | ... | Nancy | |
Jimmy Nicholas | ... | Man from Bar | |
... | Subpoena Server | ||
Demetria Marsh | ... | Woman at Public School | |
Buster Maxwell | ... | Bookstore Manager | |
... | Aaron | ||
Ken Bolden | ... | Banker | |
Bri Sche Fair | ... | Mariah | |
Jason Shavers | ... | Singing Waiter 1 | |
Jesse Dillon Sorrells | ... | Singing Waiter 2 | |
Brian Muller | ... | Singing Waiter 3 | |
... | Piano Player | ||
... | Woman at Cameron's Apartment | ||
Frank Conforti | ... | Cab Driver | |
Vanessa McCarthy-Johnson | ... | Dottie | |
Kerri Stoke | ... | Kerri |
以上信息參考
職員表
Produced by
Nicolas Chartier | ... | producer |
... | producer | |
... | executive producer | |
... | executive producer | |
Babacar Diene | ... | co-producer |
... | producer | |
... | associate producer | |
... | executive producer | |
... | executive producer | |
... | co-producer |
Music by
Paolo Buonvino | ||
Cinematography by
Film Editing by
Alex Rodríguez | ||
Casting By
Production Design by
Daniel B. Clancy | ||
Art Direction by
Set Decoration by
Costume Design by
Makeup Department
John Caglione Jr. | ... | makeup artist: Russell Crowe and Makeup Department Head |
Winfrey Izear | ... | hair stylist |
Jeannee Josefczyk | ... | makeup artist |
Karen Lovell | ... | hair department head |
Jason Renner | ... | hair stylist |
Marianne Skiba | ... | key makeup artist |
Production Management
Michael Jackman | ... | post-production supervisor |
Second Unit Director or Assistant Director
... | second second assistant director | |
... | first assistant director | |
... | additional second assistant director | |
... | first assistant director: second unit | |
Susan Ransom-Coyle | ... | second assistant director |
Art Department
Maggie Adams | ... | set decoration assistant |
Jenn Albaugh | ... | art department coordinator |
Colin Bach | ... | assistant property master |
Timothy Barnhill | ... | set dresser |
Edgar Um Bucholtz | ... | scenic painter |
David J. Chamerski | ... | property master |
Eugene Doyle | ... | set dresser |
Josh Drylie | ... | set dressing gangboss |
Chip Eccles | ... | shopcraft gangboss |
Drew Hittie | ... | set designer |
... | key greens | |
Christina Myal | ... | assistant art director |
Samuel Noel | ... | set dresser |
Brent Peelor | ... | carpenter |
Justin Pelissero | ... | leadman |
Buster Pile | ... | construction coordinator |
... | on set greensman | |
Michael G. Richer | ... | construction foreman |
Kelley Snyder | ... | assistant property master |
Christopher St. Pierre | ... | scenic artist |
Aaron Streiner | ... | 2nd on set dresser |
Corey Sweazen | ... | art department assistant |
Sound Department
Chad Djubek | ... | boom operator |
Lewis Goldstein | ... | sound re-recording mixer / supervising sound editor |
Brian Magrum | ... | adr mixer |
Cate Montana | ... | supervising adr editor |
Steve Neal | ... | adr technical support |
Bill Orrico | ... | adr editor |
Kelly Roofner | ... | sound utility |
... | foley editor | |
Chris Strollo | ... | sound mixer |
Michael J. White | ... | a.d.r. recordist |
Special Effects by
Jake Hays | ... | special effects technician |
Visual Effects by
Rosario Barbera | ... | visual effects producer |
... | cg supervisor | |
Emanuele Comotti | ... | compositor |
Chiara Feriani | ... | compositor |
Federica Foresti | ... | compositor |
Francesco Grisi | ... | visual effects supervisor |
Stefano Leoni | ... | visual effects supervisor |
Roberta Longo | ... | compositor |
Danilo Montesarchio | ... | compositor |
Mauro Moretti | ... | compositor |
Gabriele Motta | ... | compositor |
Giuseppe Parisi | ... | matte painter |
Francesco Piccoli | ... | visual effects editor |
Davide Signorelli | ... | trainee visual effects coordinator |
Riccardo Stasi | ... | compositor |
Stunts
... | stunt coordinator | |
... | stunt performer | |
Jason Silvis | ... | stunt coordinator |
... | stunt double russell crowe |
Camera and Electrical Department
Curtis Abbott | ... | phantom camera technician |
Allan Barch | ... | set electrician |
Johnny Beavers | ... | drone pilot |
Matthew Bulleri | ... | key grip: second unit |
Brian 'Buzz' Buzzelli | ... | dolly grip |
Steve Cohagan | ... | rigging gaffer |
Alexander 'Lex' Crow | ... | set lighting technician |
Pat Dames | ... | grip |
Dylan Damian | ... | outpost engineer |
Bob Dodd | ... | electrician |
David A. Dwyer | ... | rigging grip |
... | first assistant camera | |
Gregory L. Edwards | ... | b-dolly grip |
Bart Flaherty | ... | key grip |
Sean Flaherty | ... | grip |
Chris Herr | ... | movi tech |
Kevin Hogan | ... | dimmer operator |
Derek Johnson | ... | camera utility |
... | additional grip | |
Donald Klinefelter | ... | rigging electrician |
Josh Kubizne | ... | best boy stage rigging electric |
Justin M. Lubin | ... | still photographer |
Kevin Matz | ... | dimmer board operator |
Jon D. Morrison | ... | gaffer |
John S. Moyer | ... | camera operator: "a" camera / steadicam operator |
... | set lighting technician | |
Deb Peterson | ... | second assistant camera: "a" camera |
David Pipik | ... | grip |
Brian Powers | ... | best boy rigging grip |
Brennan Reilly | ... | rigging grip |
... | rigging electrician | |
Amanda Rotzler | ... | second assistant camera: "b" camera |
Amishjim Schulze | ... | electrician |
Rich Schutte | ... | camera operator: "b" camera/movi |
Keith Seymour | ... | key rigging grip |
Terry Shirk | ... | best boy electric |
Doug Stanczak | ... | key hd video assist |
Michael Svitak | ... | director of photography: second unit |
Eric Swanek | ... | first assistant camera: "a" camera / steadicam assistant |
Jon Thurner | ... | grip |
Ryan Washlaski | ... | pre-rig electric / rigging electrical best boy |
Don Yockey | ... | grip |
Nick Yost | ... | set lighting technician |
Nick Zinobile | ... | company grip |
Casting Department
Stephanie Bankosh | ... | extras casting assistant |
Leila Elhilal | ... | extras casting assistant |
Dann Fink | ... | adr voice casting |
Nancy Mosser | ... | casting: Pittsburgh |
Marisol Roncali | ... | casting associate |
Katie Shenot | ... | casting: location: Pittsburgh |
Costume and Wardrobe Department
Darcie Buterbaugh | ... | costume supervisor |
Paul John Carli | ... | key costumer |
Alison Evans | ... | key set costumer |
Kelli French | ... | seamstress |
Carmia Marshall | ... | set costumer: Mr. Crowe |
Lindsay Mayfield | ... | costumer |
... | assistant costume designer |
Editorial Department
Carolyn Cury | ... | digital intermediate producer assistant |
Sean Dunckley | ... | digital intermediate colorist |
Katie Fellion | ... | digital intermediate management |
Katie Hinsen | ... | digital intermediate editor / finishing artist |
Gordon Holmes | ... | first assistant editor |
Kevin Kaim | ... | digital intermediate assist |
Danny Keefe | ... | digital intermediate administration |
Megan Marquis | ... | digital intermediate producer |
... | digital intermediate assist | |
James Reyes | ... | post production technician |
Megan Rumph | ... | digital intermediate administration |
Zachary A. Schwartz | ... | assistant editor |
Russ Senzatimore | ... | first assistant editor |
John Sylva | ... | post-production coordinator |
Music Department
John Carbonara | ... | music editor |
Thomas Golubic | ... | music supervisor |
Michael Wickstrom | ... | music clearance executive / soundtrack producer |
Transportation Department
Frank Conforti | ... | transportation captain |
Ron Goddard | ... | production driver |
Stephen Hough | ... | transportation |
Donald A. Kraus | ... | transportation coordinator |
Byron Roland | ... | Production Van Driver |
... | dispatcher/dot |
Other crew
John Adkins | ... | location manager |
Thomas Alexander | ... | Head of Security |
Steve Berman | ... | completion bond |
Timothy Breslin | ... | stand-in: Bruce Greenwood |
... | International Marketing & Publicity | |
Justin Carlo | ... | production assistant |
Matthew Carraher | ... | craft service assistant |
Holly Nicole Chakan | ... | stand-in |
Daniel Clayton | ... | production assistant |
Ciara D'Altorio | ... | set production assistant |
Judy Dickerson | ... | dialect coach: Russell Crowe |
Eric Dilucente | ... | assistant location manager |
David Dutchess | ... | set production assistant |
Matt Eames | ... | production assistant |
Marissa Fiore | ... | location set assistant |
Katherine Foust | ... | assistant to Sherryl Clark |
Mark Gazica | ... | production assistant |
Catherine Gittings | ... | production secretary |
Ryan Gomez | ... | production accountant |
Megan Graham | ... | script supervisor |
Ethan Green | ... | production assistant |
Lindsey Sunga Harris | ... | director's assistant |
Chris Hinton | ... | assistant location manager |
Kevin Hoiseth | ... | international distribution |
Kent Jackson | ... | location manager |
Chris Jameson | ... | production assistant |
Landon Kijowski | ... | production assistant |
Casey LaRocco | ... | medic |
Matthew M. McCloskey | ... | location assistant |
Benjamin Jeran McGinn | ... | stand-in: Russell Crowe |
Patrick Michael Miller | ... | office production assistant (as Patrick Miller) |
Ginny Minuto | ... | key crafts service |
Susan Moran | ... | stand-in for jane fonda |
Melinda Neyman | ... | production assistant |
Drew Nicholas | ... | assistant location manager |
David J. Oates | ... | production assistant |
Iviose Osagie | ... | production assistant |
James Rega | ... | security |
Melissa Rotonto | ... | Executive Assitant to Russell Crowe |
Shawn Shelpman | ... | production assistant / stand- in: Aaron Paul |
Erica R. Sperber | ... | office production assistant |
... | location assistant / production assistant | |
Brittany Sugarman | ... | second assistant accountant |
Jim Swidarski | ... | payroll accountant |
Kim Fouche Tipton | ... | assistant production coordinator (as Kimberly Fouche) |
Vickie Toner | ... | production coordinator |
Jovanna Valladares | ... | production assistant / stand-in |
Kate Wade | ... | stand-in: Amanda Seyfried |
Jordan Weir | ... | set production assistant |
Paul Weisel | ... | location coordinator |
Justin White | ... | first assistant accountant |
Sally Winters | ... | adr loop group |
Lois Yaroshefsky | ... | studio teacher |
Nicholas Balzer | ... | utility stand-in (uncredited) |
以上信息參考
幕後製作
導演加布里爾·穆奇諾稱本片是“一部依靠表演驅動的電影”，他表示找不到比克勞更適合去演繹這種父女感情戲的演員，同時，穆奇諾也對這部影片信心十足，“它令人心碎的同時也令人振奮，對我來說，它就像是會令人回憶起70年代《克萊默夫婦》《飛越瘋人院》那樣經典美國電影的一部影片。”
加布里爾·穆奇諾這部新片的故事很難不讓人想起他2006年的影片《當幸福來敲門》，一個窮途潦倒的單親爸爸，因事業失敗無家可歸，卻還得擔起撫養兒子的重擔。為了兒子的未來，他重新振作，終於皇天不負苦心人。這個感人的親情故事當年也曾助推男主角威爾·史密斯入圍奧斯卡最佳男主角的提名。在感情上的刻畫、渲染和催淚上，穆奇諾可謂十分拿手。而新片《父女情》能否助羅素·克勞再度競逐奧斯卡表演獎令人期待。
羅素·克勞今年在結束《鋼鐵之軀》的宣傳後，接下來的新片還有達倫·阿羅諾夫斯基執導的《諾亞》以及《美麗心靈》《我是傳奇》著名編劇阿齊瓦·高斯曼的電影導演處女作《冬日傳奇》，除此之外，克勞還要初執導筒，拍攝並主演電影《The Water Diviner》。
加布里爾·穆奇諾這部新片的故事很難不讓人想起他2006年的影片《當幸福來敲門》，一個窮途潦倒的單親爸爸，因事業失敗無家可歸，卻還得擔起撫養兒子的重擔。為了兒子的未來，他重新振作，終於皇天不負苦心人。這個感人的親情故事當年也曾助推男主角威爾·史密斯入圍奧斯卡最佳男主角的提名。在感情上的刻畫、渲染和催淚上，穆奇諾可謂十分拿手。而新片《父女情》能否助羅素·克勞再度競逐奧斯卡表演獎令人期待。
羅素·克勞今年在結束《鋼鐵之軀》的宣傳後，接下來的新片還有達倫·阿羅諾夫斯基執導的《諾亞》以及《美麗心靈》《我是傳奇》著名編劇阿齊瓦·高斯曼的電影導演處女作《冬日傳奇》，除此之外，克勞還要初執導筒，拍攝並主演電影《The Water Diviner》。
影片評價
整部電影看下來，略有點失望。羅素克勞的演技和阿曼達的顏值讓人寬慰不少。
這部電影的題材讓人不得不聯想到加布里爾穆里奇2006年導演的《當幸福來敲門》，同樣是父親獨自照顧孩子，同樣是面臨窮困潦倒的境地。前者曾經讓我流下無數眼淚，所以當得知加布里爾這部同樣親情題材的電影時，免不了充滿期望，希望有一有二，二大於等於一。
看完電影后，我把《父女情》和《當幸福來敲門》做了一個對比。如果從電影的核心父愛來看，《父女情》對父親的塑造是很成功的，和《當幸福來敲門》如出一轍，不相上下。但是電影的問題就在於此：雖然成功卻不太感人。
電影整體的一般之所以沒有影響到父親的塑造是因為雙線敘事，但失敗也就失敗在這裡。一條線是女兒小時候的故事，這裡應該是重點。父親患了嚴重的精神疾病，但對女兒的愛與照顧卻勝常人百倍。用盡生命最後的力量，寫出了獻給女兒的《父與女》。
另一條線，25年後，凱蒂長大了，成了一個社區心理輔導員，但她自己卻有著很大的心理障礙，內心空虛，不敢接受愛。需要通過一次一次的性交彌補內心的空虛。
讓人泄氣的地方就在於這裡，在25年後凱蒂的生活里，我看不到父親的影子，我感受不到偉大父愛力量的延續。我想像不出她和那個用盡生命最後的力量來愛她照顧她的父親有什麼聯繫。我看到的，只是一個從小失去父母的孩子，長大後內心變得空虛害怕。這種心理陰影可以存在於任何一個孤兒身上，但我覺得就是不應該存在於凱蒂身上。因為她有那么一個偉大的父親。
《當幸福來敲門》的成功在於它讓我們看到父愛的力量，這種力量支撐著一個父親堅強努力的生存下去，並且最後打敗了命運，獲得了成功。同樣的，既然電影主題是父女情，在父親死後的凱蒂的故事裡，我們也應該看到這種父愛的力量在凱蒂身上的延續。
這部電影的題材讓人不得不聯想到加布里爾穆里奇2006年導演的《當幸福來敲門》，同樣是父親獨自照顧孩子，同樣是面臨窮困潦倒的境地。前者曾經讓我流下無數眼淚，所以當得知加布里爾這部同樣親情題材的電影時，免不了充滿期望，希望有一有二，二大於等於一。
看完電影后，我把《父女情》和《當幸福來敲門》做了一個對比。如果從電影的核心父愛來看，《父女情》對父親的塑造是很成功的，和《當幸福來敲門》如出一轍，不相上下。但是電影的問題就在於此：雖然成功卻不太感人。
電影整體的一般之所以沒有影響到父親的塑造是因為雙線敘事，但失敗也就失敗在這裡。一條線是女兒小時候的故事，這裡應該是重點。父親患了嚴重的精神疾病，但對女兒的愛與照顧卻勝常人百倍。用盡生命最後的力量，寫出了獻給女兒的《父與女》。
另一條線，25年後，凱蒂長大了，成了一個社區心理輔導員，但她自己卻有著很大的心理障礙，內心空虛，不敢接受愛。需要通過一次一次的性交彌補內心的空虛。
讓人泄氣的地方就在於這裡，在25年後凱蒂的生活里，我看不到父親的影子，我感受不到偉大父愛力量的延續。我想像不出她和那個用盡生命最後的力量來愛她照顧她的父親有什麼聯繫。我看到的，只是一個從小失去父母的孩子，長大後內心變得空虛害怕。這種心理陰影可以存在於任何一個孤兒身上，但我覺得就是不應該存在於凱蒂身上。因為她有那么一個偉大的父親。
《當幸福來敲門》的成功在於它讓我們看到父愛的力量，這種力量支撐著一個父親堅強努力的生存下去，並且最後打敗了命運，獲得了成功。同樣的，既然電影主題是父女情，在父親死後的凱蒂的故事裡，我們也應該看到這種父愛的力量在凱蒂身上的延續。
對於死去的傑克來講，他的偉大應該通過女兒得到肯定。這是兩條敘述線的結合點，也是對父愛必要的升華。
——來自豆瓣
