《The Economics of Cultural Policy》是Cambridge University Press出版的圖書，作者是David Throsby
基本介紹
- ISBN：9780521687843
- 作者：David Throsby
- 出版社：Cambridge University Press
- 出版時間：2010年6月3日
- 頁數：294
- 定價：$ 42.93
內容簡介
Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the n...(展開全部) Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics. David Throsby is internationally known for his research and writing in the economics of art and culture. He has been a consultant to many government departments and private corporations, and to international agencies including FAO, OECD, UNESCO, the World Bank, UNDP and UNCTAD. He is a member of the editorial boards of the Journal of Cultural Economics, the International Journa...(展開全部) David Throsby is internationally known for his research and writing in the economics of art and culture. He has been a consultant to many government departments and private corporations, and to
