米開朗基羅的凝視

米開朗基羅的凝視

《米開朗基羅的凝視》是2004年上映的劇情類電影,由米開朗基羅·安東尼奧尼執導,米開朗基羅·安東尼奧尼、Enrica Antonioni主演。《米開朗基羅的凝視》講述了義大利導演安東尼奧尼一個人在寂靜的聖·皮埃爾·奧里安教堂,靜默著,與米開朗基羅的摩西像相互凝視。

基本介紹

  • 中文名:米開朗基羅的凝視
  • 外文名:Lo Sguardo di Michelangelo
  • 國籍:義大利
  • 類型::紀錄片 / 短片  
  •  語言::義大利語
  •  國家:義大利 
基本信息,劇情介紹,

基本信息

米開朗基羅的凝視 Lo Sguardo di Michelangelo(2004)
導演: 米開朗基羅·安東尼奧尼
編劇: 米開朗基羅·安東尼奧尼 / 米開朗基羅·安東尼奧尼 / Carlo Di Carlo
上映日期: 2004-05-22
片長: 15 分鐘

劇情介紹

By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art.

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